However, that power also hints at a larger connection to the ultimate Big Bad behind the scenes of Little Nightmares II, a thing that lurks in the depths of a looming transmission tower in the distance, a thing that feeds on the energy of those watching said Transmission (to the point that they'd rather commit suicide than be without the glowing screen and its soothing sounds), a thing that uses its henchman known as the Tall Man to harvest souls (leaving glitches behind) and keep the transmission going. This is used to great effect later in the game when you solve a series of puzzles that transport Mono into and out of danger through TV screens suspended throughout the Pale City. It turns out that Mono can actually travel through TV screens like portals. Odd aesthetic? Eye-catching art? Important narrative clue? It's all of the above, and it's something that you appreciate more after finishing the game. And we find Mono sitting beside a powered-down television set. We meet Mono in the middle of a forest clearing on the outskirts of the Pale City, an area inhabited by a deadly Hunter and separated from the perils of that urban decay by a waterway. But another ability is present from the beginning, the player just doesn't know about it. The beginning of Little Nightmares II introduces you to Mono, the player character who has a penchant for wearing oversized hats on his head and boasts the ability to wield heavy objects like hammers, axes, and pipes.
